Meiji’s Transhuman Subjectivity: A Reading of Manjula Padmanabhan’ s The Island of Lost Girls
DOI:
https://doi.org/10.31305/rrijm.2025.v10.n9.016Keywords:
Science Fiction, Transhuman, Identity, Manjula PadmanabhanAbstract
Manjula Padmanabhan’s science fiction novels reimagine the complex interplay between the personal and the socio-political, emphasizing their transactional, bi-directional, interconnected, and mutually reflective nature. With the rise of posthuman scholarship, transhumanism has emerged as a speculative philosophy of existence for the future of humanity. Within this framework, The Island of Lost Girls (2015) stages a transformative quest for self-realization that foregrounds the transhuman subjectivity of its protagonist, Meiji, in a post-apocalyptic dystopian setting. This article examines the making and unmaking of Meiji’s fragmented self and her species-entangled, transcendental identity through a transhuman lens. The analysis addresses transformation and subjectivity across three key parameters of identity: continuity and coherence, uniqueness and distinctiveness, and the negotiation of agency.
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This is an open access article under the CC BY-NC-ND license Creative Commons Attribution-Noncommercial 4.0 International (CC BY-NC 4.0).